Here’s the latest from The Magnificent 60s
Turns the POW sub-genre on its head. Nobody’s interested in escaping or, in the vein of Bridge on the River Kwai (1957), committing an audacious act of sabotage. It’s hard enough just surviving with any high-falautin’ notions of honor or courage getting in the way.
Imagine if the James Garner character in The Great Escape (1963) was wheeling-and-dealing to fill his own pockets or ease his confinement in the way of Morgan Freeman in The Shawshank Redemption (1994)…
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