Wild River (1960)
Funny how you remember the circumstances of seeing a film for the first
Hell Bent for Leather (1960) +2
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Seven Ways from Sundown (1960) +1
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Doctor in Love (1960)
Chortled all the way through. You can see why it was the biggest
It Takes a Thief / The Challenge (1960)
Extremely dark-edged thriller at least a decade ahead of its time. Absolute corker of a sting in the tail
Piccadilly Third Stop (1960)
Well-worked full length British thriller that goes against the grain of presenting sympathetic
Never Take Candy from A Stranger (1960) +1
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Five Branded Women (1960)
Should have qualified as that rare thing – an all-star female cast
Sanctuary (1960)
This overheated melodrama stands as a classic example of Hollywood’s offensive attitudes to
The Mountain Road (1960)
First film to deal with U.S. Army war crimes. Though here’s it’s tabbed
The Amazing Transplant Man (1960)
Sci fi film noir. Anything that involves cult director Edgar G. Ulmer
I Aim at the Stars (1960)
Could not be more controversial or contentious. But we’ve been here far more
Mill of the Stone Women (1960)
Character has generally been replaced by gore or slaughter in the modern horror
Surprise Package (1960)
Poses two questions. Is this every bit as bad as Once More with Feeling
Village of the Damned (1960)
Superb chiller that, unusually, takes time to develop several strands over a longer
Peeping Tom (1960)
You could hardly get a more prescient movie, almost in the 1984 class in depicting
Identity Unknown (1960)
The disaster picture in embryo. Well, the disaster picture without the actual disaster
Once More With Feeling (1960)
At the very least I had thought, given the involvement of classy director
The House in Marsh Road (1960)
Well-structured thriller – especially given the short running time
Beyond the Curtain (1960)
Richard Greene had been a childhood idol as that dashing hero Robin Hood
Holiday in Spain (1960)
There were five our great reasons to see this picture. Firstly, it was
The Wild Ride (1960)
A rebellious punk of the beat generation spends his days as an amateur dirt track driver in between partying
Horror Hotel / City of the Dead (1960)
The structure of this piece gives away its origins. It’s effectively a portmanteau
Song without End (1960)
Contemporary audiences will be familiar with the jukebox picture. Moviegoers attending biopics of
The Rat Race (1960)
Surprisingly hard-edged tale with Debbie Reynolds giving the performance of her career and
Can-Can (1960)
A sterling cast does justice to some great Cole Porter songs in an
Suspect / The Risk (1960)
Marvellous long-forgotten character-driven espionage drama exploring the twin themes of guilt and duty
Beat Girl / Wild for Kicks (1960)
More social document than drama, but that aspect somewhat diluted by the moviemakers’